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We use the Bee in our Logo because of the Symbolism, They steel are sacred symbols, On my Dads Moms Mother's side we can trace our bloodline over 1,000 Years to the Royal Houses in Spain and Ireland. "bee" = 12(Chaldean) Anu=12 Anu (Akkadian: 𒀭𒀭ANU, from 𒀭an “Sky”, “Heaven”) or Anum, originally An (Sumerian: 𒀭An),[10] was the divine personification of the sky, King of the gods, and ancestor of many of the deities in ancient Mesopotamian religion. He was regarded as a source of both divine and human kingship, and opens the enumerations of deities in many Mesopotamian texts. At the same time, his role was largely passive, and he was not commonly worshiped. It is sometimes proposed that the Eanna temple located in Uruk originally belonged to him, rather than Inanna, but while he is well attested as one of its divine inhabitants, there is no evidence that the main deity of the temple ever changed, and Inanna was already associated with it in the earliest sources. After it declined, a new theological system developed in the same city under Seleucid rule, resulting in Anu being redefined as an active deity. As a result, he was actively worshiped by inhabitants of the city in the final centuries of the history of ancient Mesopotamia. Occult Symbolism In The Number 12
Numbers have a language of their own for those in the world of not only mathematicians but those who think in esoteric circles. For both, numbers become a universal language whereby all things are in some way connected.
In our examination of the number 12 we first must look at the fact that two digits are represented here; the 1 and the 2. If these numbers are added so that 1 plus 2 equals 3. Thus the number 12 also has a second occult meaning as the number 3. The three might signify a manifestation in a third dimension.
So here is where things start to get complicated.
The number three is the first sacred or perfect number. It represents the Pagan Trinity. It is represented geometrically in the triangle and spiritually as the Third Eye of Hinduism. Occultists multiply and add three to other sacred numbers to create new numbers.
People born with the Number three as their destiny number identify with the Emperor Tarot. They allegedly excel at writing, speaking, singing, acting, litigating and teaching. They possess a natural ability to uplift others with words and thought. They are good leaders, speak with authority and reason, and are usually very organized.
It is said that occultists often use the triple numbers 333 as a secret number representing the dreaded 666. But we have heard that the real reason is that this number, 333, is an occult symbol for Choronzon, the dreaded spirit of chaos. This entity also is known as the spirit of dissolution and Lord of Hallucinations. Everyone who comes in contact with Choronzon falls into ruin. The demon is said to create confusion of thought and turn people insane.
Returning to the number 12, we find this number is linked to the Hanged Man Tarot. Unlike the Emperor, this card reflects a time of stalemate. Energies can hang in limbo and when the card appears in a reading, change is usually recommended to get things in motion once again.
Twelve is a higher octave of the number three. The number appears within a multi-dimensional grid or matrix of pyramids within such images as the Tree of Life, the astrological signs of the zodiac wheel and the alchemy wheel of time.
Humans have used 12 as an ancient standard for measurement. We have twelve months in a year and twelve hours on a clock. We measure by the foot, which contains 12 inches and sell by the dozen, the gross, or shilling, all representing numbers of 12.
There are 12 fruits of the Cosmic Tree, the pagans believed there were 12 days of return to chaos at the Winter Solstice, 12 days of Yuletide and Christmas and the Chinese recognize 12 Terrestrial Branches in time.
Religious belief systems utilize the number 12. Jesus, Buddha and Mithra each had 12 disciples, the Moslems say there were 12 descendants of Allah, and the Hebrews say there were 12 Tribes of Israel. The Christians mark 12 fruits of the spirit and 12 gates and foundation stones of the Holy City. The Celtics count 12 paladins of Charlemagne, and King Arthur’s court had 12 knights at the Round Table.
In the Book of the Revelation, we see the number 12 in constant use. There is a woman with a crown of 12 stars on her head. The New Jerusalem has 12 gates and on the gates are written the names of the 12 tribes. The wall of the city had 12 foundations and on them were the names of the 12 apostles. We also see the numbers 144 and 12,000 which are multiples of 12, 1,260 days, 42 months, time, times and half a time, three and a half days, a description of periods of persecution.
There are some strange reasons for the use of 12 in English measurements. For example the foot is the approximate length of an average man’s foot. Yet the decision to square it off at exactly 12 inches seems to come from unknown origins. Fourteenth Century King Edward II ruled that an inch should be three grains of barley placed lengthwise end-to-end. Thus the measurement of the inch appears to have had something to do with deciding on the exact length of a foot.
Yet the number 12 comes up in so many of the sacred records, as well as the tools we use in our daily lives, like clocks and the purchase of baked goods, its roots lie deep in the collective unconsciousness. There is sacred geometry there. That the number is divisible by three, and when multiplied by the sacred numbers becomes an important number in itself.
It’s also worth noting that the bee was an emblem of Potnia, the Minoan-Mycenaean ‘Mistress’, also referred to as ‘The Pure Mother Bee. Her priestesses received the name of ‘Melissa’ (‘bee’) and in addition, priestesses worshipping Artemis and Demeter were called ‘Bees’. The Bee symbolism in the film is blatant and could be reinforcing the idea of a revolution from within the ‘elite’ hierarchy. The lion symbolism is also important here because it has been used to both ‘enslave’ humanity as much as it is now been used to ‘set free.
Another aspect of Jupiter Ascending is the link to Lucifer being a woman and Jupiter Jones is clearly depicted as the ‘double goddess’ in the film. She is both mother of the Abrasax (Archons) and the ascending queen of the Earth. She is therefore Sophia, Isis, Demeter, Venus (the Maleficent as her dark side), and the star that rises (ascends) in the sky. The Wachowskis couldn’t have made it any plainer.
The oldest depictions of the Demiurge/Abrasax, (the Lord Archon) is also a lion-headed snake or a Cockatrice. A power that was once given away and can be ‘taken back.
The Bee symbolism relates to the Merovingian royalty see also The Matrix movie and the European Royal bloodlines. In alchemical and occult texts the bee and the serpent are often used to denote the hive (bloodline) and its link to a genetic stream that, in my view, is overshadowed by an alien ‘predator’ consciousness. If you control the ‘bees', you control the ability to ‘give life' on Earth.
The figure above left shows 13 bloodlines (bees) feeding off the queen serpent goddess. In essence, the Alien Dynasty, needs an Earth-bound dynasty, ‘with the same DNA’, to govern the genetically modified ‘worker bees’. It’s said to be the Eve Gene that gives us some scientific evidence for a Mitochondrial ‘Queen Eve’ named after mitochondria DNA, and I would say that homo sapiens is the current ‘model’ that has been implanted or supplanted on Earth to do as it is told.
Bee-like space ships
The Bee and the serpent was a symbol associated with the Hyksos priest-kings (or Shepard Kings) of Egypt and their connection to what later became the aristocratic families of Europe, not least the Rothschild banking elite. Could the Abrasax who rules from Jupiter (in the movie) be a mirror of the rule over the Earth's resources by these elite families on behalf of their off-planet ancestors? Of course, they could.
There are additional meanings of the bee that the Mystery traditions have left us. We cannot hope to exhaust the meanings of this symbol, but we may at least make a start. Bees are often considered a symbol of the Goddess or Divine Feminine because they are ruled by queens. In particular, they are associated with the goddess Venus because part of their labor is the indirect fertilization of flowers, all of which come under the dominion of Venus. Without bees, many species of flowers would die out, and so the bee may justly be considered a handmaiden of that goddess. There is a Greek tradition, too, of the Nine Muses, the divine patronesses or music and poetry, taking on the form of bees. This comports well with the rulership of Venus over the arts.
Another occult tradition states that the mysterious figure Melchizedek, who is mentioned in the Bible in connection with giving communion to the patriarch Abraham, is an entity that brought three gifts to earth from the planet Venus: the bee, wheat, and the mineral asbestos. The tradition is an allegorical one. The meaning of the three gifts may be partially understood as symbolizing three grades of initiation. In the first grade, one serves (bee). In the second grade, the initiate focuses on understanding and practicing the development of the many out of the one (wheat). In the third grade, the initiate becomes a channel of the Divine Fire; he burns, but is not consumed (asbestos).
In the sacred tradition known as the Qabalah, the planet and goddess Venus are associated with the Sephirah Netzach. This Sephirah is also called "Saykel Nesether", or the "Occult Intelligence." Two of the potencies of human consciousness that have their root in Venus or Netzach are creative imagination and desire. These are two sine qua non of occult development. Without knowledge of the right use of creative imagination and desire, the aspirant makes little progress.
The bee is also a symbol for wisdom, for it collects pollen from many flowers and turns it into the nourishing honey, which is the gold of bees. Just so, the occult aspirant collects experience from the varying circumstances of his life and from it extracts spiritual gold. As the spiritual alchemists imply, the life of the occult aspirant is his laboratory, and his consciousness and his body the subjects of his spiritual experiments.
Yet there is even more meaning for those occultists who study the Egyptian tradition -- a tradition from which we, ourselves, draw inspiration. A well known cosmological myth from the ancient Egyptian city of Heliopolis -- Greek for City of the Sun, but known as Annu or Iunu in Egyptian, and which is now located in a suburb of modern Cairo -- is that the sun-god Re was self-generated, having spontaneously arisen from the primordial Waters of the Nun (Footnote 1). After his self-generation, Re began to generate other gods. Another story provides additional dimension to our subject. A lesser known tradition, and one that the priests of Heliopolis themselves are said to have taught as part of their allegorical mysteries, states that the goddess Neith was the first deity that emerged from the Waters of the Nun, making her the foremost of the Egyptian Gods. Having arisen from the Nun, she rested upon a primeval mound that had formed in the midst of the Waters. Raising her voice, she uttered the first sounds or words of power -- "hekau" in Egyptian -- and then created Light (Footnote 2). Next, she became Virgin Mother of the Sun by giving birth to Re, who appeared as a child on the horizon (Footnote 3). She granted the power of disseminating Light to Re through the vehicle of the Sun, then in the form of a bee flew off to the place where the city Sais -- called "Sau" in Egyptian, and which was situated in the middle of the Nile delta -- was to be in order to establish her cult and temple there. The Temple of Neith in Sau is traditionally known as the House of the Bee -- or "Hoot-Bit" in Egyptian.
There are a couple of other myths that support this version of the Heliopolitan cosmology. First, there is a story from the corpus of myths surrounding the battles of Horus and Set. The Council of Gods convened to decide who should rule Egypt after the death of the god Osiris. Set had murdered Osiris and usurped the throne, but Horus was the rightful heir, though his youth and inexperience were considered unfavorable factors in the minds of some gods. After much discussion, the gods could come to no resolution, so they suggested that Thoth, the scribe of the Gods, write a letter to Neith, whom they considered the wisest of the Gods. Thoth willingly agreed, and began his letter: "To Neith, the Eldest One, the Mother of the Gods, who shone in the primeval time." Another myth that may indicate Re's birth from Neith is the story of Isis and Re. Isis, desiring to become as powerful as Re, decided to trick him into revealing his magic name to her. Knowledge of that name would give Isis great power. She fashioned a serpent out of the spittle of Re that she had found amongst some cedars. She set the serpent along the path where she knew Re was accustomed to walk. Re was bitten, and the poison coursed through his body, causing agonizing pain. Re screamed and cried in rage, and the tears that flowed from his eyes turned into bees. Perhaps a cry for help to his mother? The text does not say. However, since Re has been effectually immobilized, is in pain greater than he can bear, and does not know how to make it cease, it is not unreasonable to assume that he might be calling on the Eldest, the Mother of the Gods, to come to his aid. Thirdly, the Egyptians sometimes gave Neith the title "Opener of the Ways" because it was she that was the first conscious entity to begin the process of manifestation (Footnote 4).
It is said that the statue of Neith in the House of the Bee was veiled, and that inscribed at its base were the words, "I am all that has been, that is, or shall ever be; no mortal man hath ever me unveiled." Another phrase associated with Neith is "The fruit which I have brought forth is the Sun." Now these phrases are interesting because the first implies a temporal and substantive omnipresence of Neith, which comports well with an entity that was the first to emerge from the Nun. Moreover, the first phrase is almost exactly the esoteric meaning of the Qabalistic God-Name YHVH, or Yod-Heh-Vav-Heh. This Qabalistic name is derived from the Hebrew verb "to be." Just so, the name Neith is derived from a similarly extended Egyptian verb "to be" (Footnote 5). The second phrase implies that she is the mother of the Sun. We may reasonably take this as further confirmation that Neith is, at least by some accounts, the mother of the sun-god Re (Footnote 6).
The symbol of the Veil is an important one throughout the Mysteries, whether they be Christian, Greek, Egyptian, Qabalistic, Rosicrucian, etc. and meditation on the Veil will fruitfully repay the occult student. In one sense, the veil of Neith shrouds what occultists term the "mind side of Nature." The initiate in the House of the Bee was told by the goddess, "Come look beneath my veil." It is both an invitation, and a dare. When the veil is lifted to one by the grace of the goddess, the initiate perceives the inner workings and patterns of Nature, and so perceiving, thereafter learns to consciously participate in them, such that he becomes a human administrator of the will of the Gods (Footnote 7). In fact, the initiate at this point fully recognizes his own inner divinity and the responsibilities that such recognition brings. He has become something more than human. And though he still be man, he has not violated Neith's statement "no mortal man hath ever me unveiled." One must take Nature as his Master before one can take Her as his Mistress. This every ancient Egyptian initiate knew. We modern occultists also pay great heed to this principle.
Neith was primarily a goddess of wisdom, but also of weaving; it is said that her gift to the newly-deceased were the cloth wrappings in which they were buried (Footnote 8). Some of her oldest and most primitive symbols were hunting equipment -- crossed arrows or spears and two bows. Because of these associations, and her associations with childbirth, the Greeks identified Neith with both Athena (the goddess of wisdom, weaving, and skill in battle), and Artemis (goddess of the hunt, the moon, and childbirth). In particular, she was associated with Artemis Dictynna, an aspect of Artemis as patroness of fisherman, particularly in Crete. Additionally, the symbolism of the net is not too dissimilar from that of the veil (Footnote 9).
In time, though still in the predynastic period in Egyptian history, the figure of the bee became a symbol of royalty in Egypt (Footnote 10). One of the titles of Pharoah in his office as King of Lower Egypt and wearer of the Red Crown was "Ny-Bit" -- "he who belongs to the Bee" (Footnotes 12 and 13). It is very likely that this title was derived from the association of the Bee with the Mother of the Gods, Neith. After all, Pharoah was seen as a descendant of the Gods, if not a god incarnate himself. But this is not all. The Red Crown of Egypt is called "deshret", but in some Pyramid texts, it is termed "net" -- a word etymologically very similar to the Egyptian word for Neith. Indeed, Neith is often depicted in temple drawings wearing the Red Crown of Lower Egypt.
It is also of interest that the root word for bee in Egyptian was also used to describe persons of fine character or good quality. Those that are familiar with the curricula of the modern schools of initiation will know that the development of fine character and good qualities is one of the primary aims of the beginning student's work in the Lesser Mysteries.
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